Dave Brubeck

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Final Approach
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Feb 22, 2005
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Ben
RIP. A giant in American music has passed. By an absolute coincidence we are doing a Brubeck tune tomorrow, Blue Rondo a la Turk. We had no idea we'd be playing it one day after he died, and on the day which would have marked his 92nd birthday.

Seeya, Dave. We'll miss you.
 

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Still have the Take Five LP somewhere.
 
Bummer dude. His music kept me awake many long nights driving back home after the midnight hours.
 
Bummer dude. His music kept me awake many long nights driving back home after the midnight hours.

I bet it was the rhythmic complexity and variety. That was one of the main things that set him apart.
 
Nice to know. Got Kingston Trio and many others as well. Might be a good idea to look in the box to see what's there.

Wow. Before he died, that was already VERY valuable.
 
I bet it was the rhythmic complexity and variety. That was one of the main things that set him apart.

It's true. He is one of the few people that set modern jazz away from elevator music.
 
It doesn't seem possible that he could be 92 years old. It was only in 1959 or 1960 that I, as a teenager, was taking voice lessons from a summering music professor/advertising executive from Boston; the occasion in little old Cushing, Maine. On one occasion I went for a lesson at Rand Smith's summer cottage. Rand told me that he had a guest, but that we should just continue with my one hour lesson -- $7.50 an hour back then -- imagine!

So there we were, overlooking the St. George River, in a cottage on property where my father had long ago been a teenaged caretaker who had an eye for the beautiful young lady who, he later chagrined, was to be swept off her feet by the dashing young singer from Boston, the latter now my voice teacher reference this post.

We went through the realm of one hour of "mi, may, my, mo, moo;" scales and whatever; and there sat the unidentified guest. After the lesson, and I'd paid my blueberry-raking money to the marvelous baritone, Rand said, "I'd like you to meet my guest. Lawreston, say hello to Dave Brubeck." I was young, but not that young that I didn't know the significance of the guest.
A similar occurrence happened twice more during that summer. One occasion was meeting Leonard Bernstein, the other, Meredith Willson, the latter ironic in that I had seen in April, "Music Man" at the Majestic Theater, in New York.

HR
 
Great story.

It doesn't seem possible that he could be 92 years old. It was only in 1959 or 1960 that I, as a teenager, was taking voice lessons from a summering music professor/advertising executive from Boston; the occasion in little old Cushing, Maine. On one occasion I went for a lesson at Rand Smith's summer cottage. Rand told me that he had a guest, but that we should just continue with my one hour lesson -- $7.50 an hour back then -- imagine!

So there we were, overlooking the St. George River, in a cottage on property where my father had long ago been a teenaged caretaker who had an eye for the beautiful young lady who, he later chagrined, was to be swept off her feet by the dashing young singer from Boston, the latter now my voice teacher reference this post.

We went through the realm of one hour of "mi, may, my, mo, moo;" scales and whatever; and there sat the unidentified guest. After the lesson, and I'd paid my blueberry-raking money to the marvelous baritone, Rand said, "I'd like you to meet my guest. Lawreston, say hello to Dave Brubeck." I was young, but not that young that I didn't know the significance of the guest.
A similar occurrence happened twice more during that summer. One occasion was meeting Leonard Bernstein, the other, Meredith Willson, the latter ironic in that I had seen in April, "Music Man" at the Majestic Theater, in New York.

HR
 
Paul Desmond's alto work in "Take Five" is why I learned to play the saxophone in the first place. Brubeck was jazz royalty. Rest in eternal peace.
 
Gotta admit - I really didn't know much about Dave Brubek. I know the name, I know some of his works, and I know he was the real deal. But I never followed either him or jazz in general.

Any recommendations on where to start, like a couple of particular albums? I know that Time Out was probably his biggest seller, and I think my folks used to have that LP, but anything else that really stands out that could/should be part of a beginners collection?
 
RIP Dave.

If I had to throw out all my albums but five...i.e...if I could only take five...Time Out would still be in my collection.

Thank you, Dave.
 
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Gotta admit - I really didn't know much about Dave Brubek. I know the name, I know some of his works, and I know he was the real deal. But I never followed either him or jazz in general.

Any recommendations on where to start, like a couple of particular albums? I know that Time Out was probably his biggest seller, and I think my folks used to have that LP, but anything else that really stands out that could/should be part of a beginners collection?

I would start with youtube, actually. It is great watching him and his quartet play as well as listening to them.
 
"Honoring Dave Brubeck with his sons quintet" at Kennedy. Enter was a good one that I just found on you tube
 
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